We’ve posted on this Dispatch short a couple of times, both to raise money for production and also to call out how excellent everything about it is. Well, almost everything. Ironically, the one thing we didn’t take note of is the score that brings the film to life. The man to thank for that is Mason Thorne, a Columbia graduate who has a penchant for full-bodied soundscapes. You can hear Mason’s work in a couple places: the aforementioned short film or via his TOOM moniker; both of which offer the same quality of composition. Actually, his work reminds me a smidge of the blissfully dark atmosphere that Atticus Ross and Trent Reznor create with their score for The Social Network. Very glitchy and intricate.